Jul/Aug 2024  •   Poetry  •   Special Feature

Voices

by Barbara De Franceschi

Cuban Art


 

Voices

I phoned a friend.
She said it didn't sound like me.
I'd been talking to an insurance rep
in my very-intelligent-don't-give-me-any-BS voice.
Must have forgotten
to revert back to best-friend mode.

I cannot explain why I find the need
to castigate the valid self
and transmute my noise to fit multiple situations,
albeit with some agony of pretense.

When reading poetry, the dialogue is arty-tarty.
If dealing with rudeness, a well-machined barb grates the air,
the sticky-sticky-coo reserved for the dog.

If vocals sound like a sea crashing against rock,
time to leave me alone.
Jealous tones crack the porcelain music
my tongue yearns to spill.
Stutters rescue embarrassment.

A busty accent is best left unexplained.
Screeching leads to hysteria.
Sniffling gulps and wet curses
mean I will never fall in love again.

Each day brings a variant of sound
that tiptoes through murmurs at midnight
and decodes the whispers
passing through the jacaranda tree.